
Milton often reflected that his Fulbright grant to Italy—where he studied with the painter Giorgio Morandi in Bologna—changed his life forever, attuning him to artistic traditions and sophisticated aesthetics that powered his own creativity and exceptional career. The website of the firm he founded in 1974, www.miltonglaser.com, provides a wonderful overview of his life (including a version of “Interminable Length”) and “The Work,” which catalogues many of his campaigns and images.
You may agree with me that these images reveal an artist of immense reach, a creative genius who tackled each project with new eyes and a fresh palate. Milton never rested, he never relied on his own iconography, and he never stopped looking for the new in New York, and in the wider world. His work was bold, striking and memorable because Milton was fearless.
Milton was also true to the mission of the Fulbright Program, deeply believing in building meaningful friendships wherever he went, and remaining dedicated to teaching successive generations of art students. His art is known to billions, but his favorite legacy, I will wager, was the love and connection of his friends, colleagues, clients, and students. He was a mensch.
On a personal note, I am very sad to lose my good friend. Milton always made time in his busy schedule to sit with me, whether in his studio or at a favorite Italian restaurant nearby. Our conversations were wide ranging because Milton loved the world and its complexities, injustices and troubled politics. He viewed that world through very progressive lenses, decidedly, but he was too wise to dismiss anyone’s perspective. Warm and funny, Milton was a pleasure to know, and I already miss him terribly.
The Fulbright community mourns his loss and shares our condolences with his wife, Shirley.
-John B. Bader, Executive Director